Studio: 278
“My work reflects the positive footprints on my life, dancing, music and having worked for the master of the “minimalistic line” Issey Miyake.
It has evolved without the structure of a formal degree course. It has come from within. It is about the human form, whether it is still or moving. If the figure is still then the line must portray the mood, the physical presence of the model.
The smallest angle of a line can say so much. I like less to be more. If the model is dancing to music then the line must play the music. The figure dancing must be moving .
When I work, I stop thinking and allow the subject to lead me to the final form of my art.” Dancing Lines, Dancing paint.